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A futuristic and dynamic style created by André Courrèges in 1961. An essential step in the evolution of fashion.
[/vc_column_text][/vc_column][/vc_row][vc_row][vc_column width="1/3"][vc_single_image border_color="grey" img_link_target="_self" image="175" link="https://www.joggingjogging.com/en/185_courreges"][/vc_column][vc_column width="1/3"][vc_single_image image="184" border_color="grey" img_link_target="_self" link="https://www.joggingjogging.com/en/185_courreges"][/vc_column][vc_column width="1/3"][vc_single_image image="185" border_color="grey" img_link_target="_self" link="https://www.joggingjogging.com/en/185_courreges"][/vc_column][/vc_row][vc_row][vc_column width="1/1"][vc_column_text]In the 1960s, the house quickly became emblematic with its mini-skirts, white boots and trousers. Today it is his vinyl jacket that has become the symbol of the brand.
Now headed by artistic director Nicolas Di Felice, the brand continues to follow the vision of its creator, who has always believed in stylish, clean fashion.
Courrèges garments are characterised by structured separates and bold colours, evoking the house's inimitable heritage while constantly reinventing and improving its avant-garde aesthetic.
Jogging is honoured to offer Courrèges since 2021 in its shop and on its e-shop.
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Autumn Winter 2022 collection

"Light shadow of geometric patterns: squares on the back of the heritage coat like a pulverised sheet or on the folded T-shirt; triangles hanging from the neck or bra of the dresses; circles on the back of coats, tops or dresses. As always, Courreges' archetypal geometric shapes are inserted. The detail of the swallow, the tubular collars and - for the first time - the rhombus, made from the assembly of four squares with blunt corners. In series, the primitive forms proliferate while becoming discreet - as if absorbed by the new Courreges. More offensive, more suggestive too. The shoes announce a statement. Bumpers, stretched heels and pointed toes: the age of innocence is over.
A collection that exists only through oppositions: between shadow and light, archetype and conquest, innocence and intensity."

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